SLUFF is the debut release from the Seattle, WA band, Naked Giants. SLUFF is a collection of songs the band has been writing and performing over the past few years. The specific goal was to capture “THAT live energy” in a recording, but as the energies of the studio processes began to mingle, the album became an entity unto itself. Bassist Gianni Aiello explains, “We played our very best on this album, but there are still a good amount of mess-ups and rough edges that give it that ‘first album’ character. The album gets its personality in large part from the play between the planned and unplanned. With producer Steve Fisk (Nirvana, Low, Damien Jurado, The Posies), we could carefully craft some particular sonic signatures just as easily as stumble upon some random noise or mic technique. There’s no underlying concept for the album, but it’s this sort of order and chaos attitude which gives it a cohesive feeling.”
SLUFF is a rock and roll record for the modern rock and roller. Some songs are long, some are short, and some are even shorter than that. It’s full of hooks and plenty of guitar solos. The most important thing is that everything hits you all at once, feeling like it could all happen in a matter of seconds. This is the Naked Giants thesis statement...for now.
Young Fathers will release their third studio album, Cocoa Sugar, on March 9th, 2018 via Ninja Tune. The UK-based & Mercury Prize-winning trio recently shared their latest track & video 'LORD', which was described as 'Spectacular' by FADER, Crack, and Clash & earned praise by Stereogum, Paste, NME, Complex & more. The band will then return to the USA with a run of shows this Spring. Following their work on the score of Danny Boyle's Trainspotting 2, Young Fathers deliver their third and most ambitious record to date.
The songs and narrative’s on LONER reflect my life over the last couple years––I joined Tinder, I got my first apartment and painted it teal, I went to parties, I discussed politics, I had a girlfriend, we traveled the country, we broke up. I learned, for better or worse, how to be a member of the modern world. Turns out the modern world is terrifying. Tired of the bottomless pit of sad songs, I decided to put a spin on my greatest songwriting inspirations––misogyny, unplanned pregnancy, Capitalism, anxiety, loneliness and death––and wrap such depressing subject matter in a sprightly, angsty pop burrito…Because it’s hard being serious all the time and sometimes sad songs just need a cocktail. Loner reflects the styles of music I love––pop, folk, punk, electronic, and surf music––all thrown into a blender with a ladle full of cheeky satire. I call it Schizodrift. It sounds like Blondie drunk on mai tais. Loner was co-produced by myself and the wonderful Paul Butler (Devendra Banhart, Michael Kiwanuka, St. Paul & The Broken Bones) and recorded in freezing Northern California, in addition to my parent’s attic and my last apartment. It was mixed by sound guru Andrew Sarlo (Big Thief, Nick Hakim, Show Me The Body) in Brooklyn, NY. - C.Rose
After a serious car accident when she was 19, Melody Gardot used the experience as a springboard to musical success she might never have achieved otherwise. Gardot had played the piano before the accident, and a doctor suggested that she use music as a kind of recovery therapy. Since she couldn't sit comfortably at the piano, she picked up a guitar and now after several albums she is celebrating the international tour success of her career so far by brings us her first ever album of live recorded music. “Live In Europe” presents live versions of her greatest hits recorded at concerts worldwide between 2012 & 2016. An album personally curated by Melody herself, hits include Baby I’m A Fool, My One and Only Thrill, Les Etoiles & March For Mingus.
Fall Out Boy will be releasing their 7th album M A N I A from Island Records on 1/19/2018. The album features 'Champion,' 'The Last Of The Real Ones' and latest single 'HOLD ME TIGHT OR DON'T.' M A N I A is the follow-up album to the band's platinum-certified American Beauty/American Psycho, which debuted at #1 on the Billboard Top 200 upon release.
Between Two Shores is the third solo release from acclaimed singer-song writer Glen Hansard.
Glen Hansard has built a career, now over 2 decades strong, on struggle. His impassioned songs mostly veer between the exhausting struggle to make it professionally and the numbing struggle to keep the affections of a romantic partner. Pick up any Frames or Swell Season record, or his first two solo releases, 2012’s Rhythm and Repose, and 2015’s Didn’t He Ramble to find him chipping away at those two pillars.
NAV, named one of Rolling Stone's '10 New Artists You Need To Know,' & Metro Boomin, one of the industry's most famous producers, to release mixtape Perfect Timing. The project includes guest features including: Gucci Mane, Lil Uzi Vert, 21 Savage, Offset, Playboi Carti & Belly. Metro won BET's Producer Of The Year for the second consecutive year & has worked alongside some of the biggest names in hip-hop including: Drake, Big Sean, Migos, Future, Post Malone, Playboi Carti, Offset, Lil Uzi Vert & 21 Savage. NAV has also toured as main support for The Weeknd.
Chris Stapleton’s From A Room: Volume 2 will be released December 1 on Mercury Records Nashville. The multiple Grammy, CMA and ACM Award-winning musician first shared the album news from stage during the first of two sold-out shows at Nashville’s Bridgestone Arena this past Friday. Of the special hometown concerts, CMT praises, “…cemented his status as one of music’s greatest talents to emerge from the current decade.”
The forthcoming album takes its name from Nashville’s historic RCA Studio A (the capital “A” in “From A Room”) where it was recorded over the last year with Grammy Award-winning producer Dave Cobb. Along with Stapleton on vocals and guitar and Cobb on acoustic guitar, the album features Morgane Stapleton on harmony vocals as well as longtime band-members J.T. Cure on bass and Derek Mixon on drums. In addition to seven songs co-written by Stapleton, the album features versions of Kevin Welch’s “Millionaire” and the Homer Banks/Lester Snell-penned song made famous by Pops Staples, “Friendship”.
Volume 2 follows the release of From A Room: Volume 1, which debuted earlier this year at #1 on the Billboard Country Albums chart, #2 on the Billboard Top 200 chart and, with its RIAA Gold certification, remains the #1 best-selling country album of 2017. Stapleton’s 2015 double-platinum solo debut, Traveller, is currently the #2 best-selling country album of the year.
Celebrate the 40th anniversary of this classic release with the 3CD/1LP ROCKET TO RUSSIA: 40th ANNIVERSARY DELUXE EDITION. Including two different mixes of the album: a remastered version of the original and a new 40th Anniversary Tracking Mix by Rocket To Russia engineer/mixer Ed Stasium, plus a previously unissued recording of the band’s 1977 concert in Glasgow, Scotland, along with rare tracks, alternate versions & unreleased mixes.
The 40th Anniversary Deluxe edition comes housed in an album sized hardcover book, with 16 page booklet including essays from Sire Records founder Seymour Stein, Rocket To Russia engineer/mixer Ed Stasium & former Creem Magazine writer/editor Jaan Uhelszki, along with rare photo.
Among the band’s best-loved records, it features classics like “Sheena Is A Punk Rocker” and “Rockaway Beach” along with their signature covers of “Do You Wanna Dance?” and “Surfin’ Bird.”
Instrumentals, imagined soundtracks and cut and paste experimentation sets a bracing, perception-shattering course for Who Built The Moon?, the keenly anticipated, WORLD TOUR-triggering third album from Noel Gallagher's High Flying Birds. Produced by David Holmes and featuring guest appearances from Paul Weller and Johny Marr!
A new 2-CD/1-Blu-ray Audio deluxe edition that includes the original studio album, ten previously unreleased live recordings, as well as hi-res and 5.1 mixes. Presented in an 11 x 11 hardbound book, the set also features rare and unseen photos from the era, a replica tour book, and three stand-alone posters. The collection also marks the debut of ten live tracks that were recorded during the band s three-night stand at the Los Angeles Forum in October 1976. The concert recordings which were recorded about a month before the album came out features one of the first ever live performances of Hotel California and New Kid In Town along with other Eagles classics including Already Gone, Take It To The Limit, and Witchy Woman. The Blu-ray Audio disc that accompanies HOTEL CALIFORNIA: DELUXE EDITION features the 5.1 Surround Sound mix originally released on DVD-A in 2001 along with a hi-resolution, 192 KHz/24-Bit stereo mix.
On November 10th, legendary Grateful Dead drummer, solo artist and world music aficionado Mickey Hart will release his 14th solo album - RAMU - on Verve Forecast. RAMU was co-produced by Michal Menert, formerly of Pretty Lights, and features Avey Tare from Animal Collective, Tank from Tank and the Bangas as guest vocalists. In addition to their contributions, RAMU features the incredible Zakir Hussain on tabla, bassist Oteil Burbridge, talking drum master Sikiru Adepoju, guitarist Steve Kimock, multi-instrumentalist Charles Lloyd, and Jason Hann of String Cheese Incident. Recordings of the late Jerry Garcia, the late Babatunde Olatunji, and unreleased field recordings by Alan Lomax also appear on the album.
Over the course of his astounding career, acclaimed singer-songwriter, Seal, has sold over 50 million albums globally. Now this iconic voice is tackling timeless songs with a collection of stunning versions of standards. Standards will release on November 10 and will include hit tracks “Luck Be A Lady” and “It Was A Very Good Year.”
A Iove letter to holiday celebrating; Christmas Songs with classic Brill Building sparkle_ A rosy cheeked, cashmere-sweathered, evergreen-scented, hot toddy fueled testament to warm hands, full hearts, and beautiful music. Producer/performer Chris Maxwell, composer for the hit Fox TV show Bob's Burgers and at whose studio the collaboration was forged, brings o playful spirit for timeless melodies. Ambrosia Parsley, widely beloved for her band Shivaree owl smoldering contributions to many pivotal creative scenes, parries mischevious musings with Holly Miranda's earthy and soulful vocals, which bring a depth befitting the upstate NY environs the songs were birthed in A merrier trio of holiday aficionados could not be found. We looked.
CURTIS HARDING could best be described as a student of the gritty, sweat-dripping, hip-swinging blues that wafted through the air of the American sixties. The offspring of a mother who sang gospel, and a retired veteran, he traveled all over the country as a child, singing alongside his parents, learning that music was in fact the great communicator, and that the key was not just in how pretty the notes were, but how if you were honest in what you were singing, you could stir a person on the inside. This is what Otis Redding knew. What Sam Cooke, and Bo Diddley, and B. B. King knew. That somehow there was a way to take your experiences, your pain and joy, and give them melody, cause them to live and breathe and massage the hearts and minds of all those who hear.
Is That Light You Carry? is the debut record from Third Culture Kings, a new project led by Jan Johansen (Glorybox) and Alap Momin (dälek). Filtering classic vibes through modern interpretation, 3CK reimagine The Velvet Underground or Leonard Cohen if they had been mixed by King Tubby and Afrika Bambaataa all the while incorporating influences as diverse as Indian drone, early 80’s synth pads and Miami booty bass. Still, it’s worth noting that there’s nothing about these recordings that’s rooted in the past: nearly every sound on the record - sans lead vocals and guitar - were created or recorded directly to an IPhone. Momin created the beats, bass and majority of synth lines on his device, while Johansen then recorded backing vocals, second guitar, vibraphone, piano, horns, rhodes, and melodica as voice memos that were eventually dropped on top of the finished tracks.
There are few acts claiming to channel Vangelis and Suicide at the same time, and even fewer that also shout out their love of Doo Wop, UK Bass, and Chicago House in the same breath, but this international duo manage to strike all those notes and more. Veteran performers who’ve outlasted endless trends and toured the world for the better part of the last two decades, Third Culture Kings aren’t afraid to stretch the boundaries of style. The eclectic, yet cohesive group of songs in their live shows complement bills featuring everything from shoegaze to commercial R&B.
Widely considered to be both The Smiths’ finest work and one of the greatest albums ever made, ‘The Queen Is Dead’ has cast a significant influence over subsequent generations since it was first released in the summer of 1986. Now Warner Bros. Records can confirm details of a newly mastered and expanded version of the album that will be released on 20th October.
A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. In 2015, Margo Price was a country underdog just trying to keep enough gas in the tank to get to the next gig, but by the end of 2016, she was one of the genre’s most celebrated new artists and a ubiquitous presence on late night television and at major festivals around the world.
It’s the kind of year most musicians can only dream of, and the arrival of Price’s spectacular sophomore album, “All American Made,” proves that she hasn’t taken a moment of it for granted. Delivering on the promise of her debut and then some, the record finds Price planting her flag firmly in the soil as a songwriter who’s here for the long haul, one with the chops to hang with the greats she so often finds herself sharing stages with these days.
A prolific writer with a knack for candid self-reflection, Price has never had to look too far for inspiration, and on ‘All American Made,’ she and her songwriting partner/ husband, Jeremy Ivey, continue to depict the trials of everyday life with un inching honesty, painting poetically plainspoken portraits of men and women just trying to get by.
Highs and lows, long nights and hard days, wild women and cocaine cowboys, politics and sexism, it’s all in there, singularly filtered through Price’s wry, no-bullshit perspective. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie (who makes a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio. Rich with swirling pedal steel, honky-tonk rhythms, and Price’s stop-you-in-your-tracks vocals, ‘All American Made’ is deeply reverent of tradition even as it challenges conventions, a nuanced exploration of conflicted emotions for our deeply conflicted times.
While Bully’s 2013 debut Feels Like tumbled headlong into the precarious nature of Alicia Bognanno’s young adult life, its follow-up Losing is their first for Sub Pop (which in many ways feels like their spiritual home; Bully’s sound is an outgrowth of the bands the label championed in the late ‘80s and ‘90s). Losing is a document of the complexity of growth: navigating breakups with sensitivity, learning not to flee from your troubles but to face them down no matter how messy they may be (“Well, this isn’t the summer I wanted,” she muses on “Blame,” before admitting that she’s trying to “cut down on booze and you”). Written as the group slowed down from touring constantly and Bognanno attempted to adjust to how different a home schedule is from a road schedule, her songwriting has matured from the quick one-two punches of Feels Like to tracks that contemplate the necessity of space in both song structure and emotion. Bognanno’s gruff yet dynamic voice is allowed to bloom, and it has a tenderness and openness to it here that’s new. There are multiple layers of wistfulness and care to her delivery of lines like “It just takes one disagreement for you to remember the one time I fucked up,” from “Spiral,” turning songs that could be one-dimensional kiss-offs into warm and complex expressions of regret.